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But don’t worry, we’ll now set about taming this synth and making something useful out of it.īeginning from the left, engage the sub-oscillator and push the gain all the way up. The only thing giving any hint of structure is the kick drum. Hit play and you’ll be met with a chaotic warbling. What we’ve done is told the second sequencer to trigger notes one octave higher than the first sequencer, 100 percent of the time. We’ve moved the slider down to zero in the first column labeled -2, and we’ve moved the slider all the way up in the second column labeled -1. This is important – notice the change in the Octave section, right under the word “Probability” toward the right hand side. Pull in a second instance of Step Divider onto the same track and build the sequence like so: We’re going to add a second instance of Step Divider that will trigger the higher notes in the sequence. Our first sequencer simply drives the bass of the sound. Make your sequence match the image below, paying specific attention to the Rate, Div, and Note columns, and activate the same steps in the sequence. Listen to a few bars of this up against a four-to-the-floor kick pattern and you’ll start to see how this type of sequence gives you results that change over time.

Now activate some of the steps in the sequence to match what you see below and hit play. What we’ve done is told the sequencer that instead of two very traditional 8 step sequences, we want an 18 step sequence and a 10 step sequence to play in tandem. On the next row up, change the Div value to 10. On the bottom row, change the Div (for divisions) value from 8 to 18.

Now on the bottom two rows of Step Divider, set the note value to F. In Wavetable, set the oscillator shape in Wavetable to a sawtooth wave and change the voicing of the synth from Poly to Mono. Pull up an instance of Step Divider as well as an instance of Wavetable on the same MIDI track. Since we can’t get any sound without the sequencer, let’s start there. Step Divider is in essence a Euclidian sequencer, a type of sequencer that’s quite popular in the modular synthesizer world, which allows us to create interweaving rhythms that never play the same way twice. Let’s get to it and remember to click any image to enlarge! Step 1: Getting Sound Now set your project’s tempo to 130 BPM and let’s dive in. Give the email a few moments to arrive! A successful submission will redirect to homepage.

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To download the session and follow along. It’s constantly changing because the synthesizer you’re hearing is being triggered by multiple sequences of different lengths… and we’ll get to that in a bit. You’ll notice that in tracks like 993, you can’t pin down a specific melody or rhythm.

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Make sure to download and install the pack from Ableton’s site before we get started.

Rather than feeding our instrument a MIDI clip, we’ll be triggering the synthesizer using Step Divider, a sequencer included in Ableton’s Probability Pack which comes free with Live Suite. We’re taking a different approach than we usually do in these articles when it comes to triggering our synthesizer.

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Ableton Live is, at its heart, a powerful modular software system that offers a lot of what a modular hardware system does if you know where to look.

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His 2017 release “993” is another great look into his sound, and in today’s Synth Secrets we’re going to explore how to recreate a similar sound to that track without using a single piece of modular hardware, but instead by using Ableton Live and Ableton’s native instruments and effects, nothing more, nothing less. In order to make what he makes, Blawan relies heavily on modular synthesizers and the chaotic interplay between those components. Even in his breakout dubstep single “Fram ,” there was clear foreshadowing of the sound that would become his signature style, a style that was distilled and presented in his 2018 debut album “Wet Will Always Dry.” A style that one could describe as undulating, saturated, uneasy, but thoroughly enjoyable techno. We’re going to use Step Divider and Wavetable to bring it to life.įor over a decade we’ve appreciated Blawan’s approach to music production – undulating, angular, raw and saturated.

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In our latest Synth Secrets we tackle the sounds of an undisputed heavyweight, Blawan, and make a synth patch heavily inspired by his brilliant track ‘993’.